Category Archives: Reviews

NEW MUSIC: Greenman by School Disco

Plymouth garage-rock trio, School Disco have made their first release of 2018, Greenman.

2017 was a massive year for the band, seeing them land support with Wolf Alice in Tavistock, play countless shows across the UK, and really start to push their name out there. It also saw them setting up their own self-titled festival – School Disco Festival – which aims to celebrate some of the finest musical talent in the South-West.

Greenman is the first self-recorded track from the band, partly produced by Andrew Girdler. It takes a clear post-punk, dreamy approach, incorporating keyboards and synthesisers in a large way. Setting off with a mixture of rapid guitars and percussion, the track soon introduces a mixture of trippy sound effects and filthy riffs, bringing me to think of packed venues and bright lights; it’s definitely one to get the crowd buzzing.

Photography by: Max Searl

If you couldn’t already tell by the name… Greenman is inspired by space, from the sound effects to the lyrics. Lead vocalist and guitarist Rory told us much of the influence came from from 50s/60s horror films such as ‘Invasion of the body snatchers’ and ‘It came from outer space'” which is highlighted in the ethereal sound effects and the slightly ‘cheesy’ lyrics matching up to the way these films are seen in the modern day.

Greenman is a proper groovy tune which symbolises just how far the band have come since the release of their debut EP.

It is evident how dedicated School Disco are, not only to their own music, but also the music scene as a whole especially in the South-West; I’m certain this will see them go far.

Listen to the track here: 

ALL PHOTOGRAPHY COURTESY OF MAX SEARL: Instagram: @maxsearl | Website:


NEW MUSIC: Wanderlust by The Recreation

If you’re into the indie-rock, psychedelic vibes from the Manchester music scene you need to sink your ears into Wanderlust, the brand new track by The Recreation. 

As the lads first release of 2018, Wanderlust is an intriguing mix of funky riffs, rapid percussion and Van McCann-esque vocals. Produced by Jim Spencer who has worked previously with the likes of Johnny Marr and New Order, this track encapsulates just what The Recreation are all about. Taking a much bolder approach to their earlier sounds, Wanderlust highlights the bands ability to make music that crowds will love.

Wanderlust definitely shows that The Recreation have developed their sound further from their older material, and as a personal favourite by the band so far, I can’t wait to hear what they bring out next.

Wanderlust is now available for streaming on Spotify.


Single artwork by: The Northern Dread

ALBUM REVIEW: Beautiful People Will Ruin Your Life // The Wombats

In case you hadn’t heard, The Wombats are back.

They’ve been spoiling us over these last few weeks with singles such as Turn, Cheetah Tongue, and, most recently, Black Flamingo since their initial single release of Lemon To A Knife Fight off this, their fourth studio album.

But now, finally, their album is upon us as of Friday. Three years after their last album was released, was Beautiful People Will Ruin Your Life worth the wait?

In short, yes.

The first four tracks on the album are the four singles: instant recognition, guaranteed head-nodding, potential lyric belting (especially on Turn, an indisputable feel-good, sing-along tune). For me, this was a very strong start to the album, although also a bit risky: once these four tracks are over, I am thrust into the album proper, with no hope of an upcoming track whose familiarity I can take comfort in.

It’s lucky, then, that the first unknown track, White Eyes, is catchy as all hell, featuring familiar Wombats-esque playfulness with their new ‘grown-up’ edge which they seem to have adopted for this album, no doubt a consequence of trading in Liverpool for Los Angeles, something which Murphy touches on in I Only Wear Black.

While we’re on the subject of catchy tracks, which by now we all know is The Wombats’ bread and butter, some notable mentions must be made for Lethal Combination, Dip You In Honey and Ice Cream, with all of these tracks having successfully nested into my brain after just a couple of listens, and Dip You In Honey quenching my thirst for some twangly guitars, falsettos and Beatles style riffs.

As far as moodier songs are concerned on this album, you would think I Only Wear Black would be a contender from the title, but this one is surprisingly upbeat and dripping with their usual sardonic lyricism. Instead, I would say their moodiest track on the album is the finale, I Don’t Know Why I Like You but I Do. But, think less Isabel from Glitterbug and more Anti-D from This Modern Glitch. Its lyrics are heartfelt and candid, but the track is still punchy, with the mounting guitars and drums from verse to chorus being one of those things in music that you can’t quite put your finger on. Something about the way the highs and lows marry together, the way the tension builds and the song’s identity transforms from one thing to another creates some sensation that you can’t vocalise. I don’t know why I like it, but I do.

NEW MUSIC: The Vaccines return with brand new single ‘I Can’t Quit’

Indie-rock band The Vaccines have returned with brand new single I Can’t Quit.

Much like their earlier material I Can’t Quit gives off a rock n roll vibe, but combines it with the indie-pop sounds heard in English Graffiti. With this tune, The Vaccines have put a new twist on their music; but still keep the distinct sound we know and love.

A raucous mix of driving riffs and passionate vocals, it’s a euphoric, dynamic track; sure to cheer you up if you’ve got the January blues.

Their upcoming 4th album Combat Sports is set for release on March 30th and we can’t wait to hear it!

 *Feature image courtesy of The Vaccines.


TRACK OF THE WEEK: Glasgow – Eyes To The Skies

Indie-rock quartet Eyes to the Skies released their second single, Glasgow last month. A dynamic mix of electronic riffs, driving percussion and appealing vocals; Glasgow makes for just over 4 minutes of feel-good, boppy heaven.

A vibrant, psychedelic sounding tune, it nods at influence from bands such as Two Door Cinema Club and Catfish and the Bottlemen.

Frontman Alex told us the track is about about “searching for the perfect life

adding that: “the track is all about starting a life with somebody without all the rubbish in-between.

As the second release from Eyes to the Skies (ETTS), Glasgow is a dynamic track, taking elements from many indie tunes we know and love, whilst adding in its own unique twist.

 “We just want to gig, release music & have a dead class time”

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Eyes to the Skies supporting The Sherlocks

With plenty more material in the works, the band are set to support Antarctic Monkeys at their O2 Academy 2 gig in Sheffield on November 18th; find tickets here.

To keep up to date on news, check out their social media:




Hailing from Navan, Ireland, indie-rock newcomers Enemy II Lines released their second single F.F.Y in June this year.

Consisting of Dylan Hicket, Jordan Patton, Matty Melady and JohnPaul Melady who formed in January 2016, Enemy II Lines have received praise from Garageland Ireland who described their sound as “an awesome mix of darkness, power and energy.”

F.F.Y (Fool For You) is a guitar driven tune with a mixture of indie-rock and pop-punk elements. It hints at influence from Catfish and the Bottlemen, using husky vocals and rough riffs which evoke a darker mood.

Cora, their debut release gives off a softer energy than F.F.Y, mixing expressive vocal with light percussion and dynamic guitar to create a more psychedelic sound. Talking about the track’s meaning and influence, they told us: “it’s about when somebody is so much like you that they’re your echo/they do or say everything you do”…evoked through the echoey delivery of the backing vocals alongside the lead.

Enemy II Lines will head into the studio in January to record their next few singles; set to be released over the early months next year. They also have plans to play some gigs around the UK, so keep an eye out across their social media to keep up to date on news:



*Feature image courtesy of Enemy II Lines Facebook page.

NEW MUSIC: CARLOS DANGER takes us on a trip back to the 80s with Neon Daydreams EP

CARLOS DANGER is the latest project by Sam Butcher who takes us on a journey back to the 80s in an attempt to go all in on the sound of 80s pop.

Setting off with his debut release, Carlos’ Neon Daydreams EP has a combination of upbeat tracks as well as other more mellow ones. With this guise being part of a group project named The Taurus; Neon Daydreams aims to be a prologue for this next project.

Bouncy Balls sets the EP off and belongs back in the realms of the Mario Kart 64 soundtrack. Made up of groovy beats and retro sound effects the track gives off a (literally) bouncy and vibrant feel. Track 3, Puppy Love is just as upbeat and similarly belongs on the tracklist of an 80s computer game.

Demarco-esque Blue comes second on the EP and is just over 3 minutes of shoe-gaze psychedelia giving listeners a ride back to the late 80s.

Palm Tree Passion has a funky sound to it with a slightly western edge in parts. As  Butcher’s personal favourite on the EP, he told us:

“I was trying to emulate an 80s cop show/movie theme tune like Miama Vice or Beverly Hills Cop”

Redbone is the final track on the EP which is a cover of the Childish Gambino tune by the same name, a different take on the track, which Butcher described to us as “almost vaporwavey”.

You can stream the EP on Soundcloud:

Sam Butcher has also been involved in other projects including playing lead guitar for indie-rock band Mirror Gorillas & releasing a solo EP back in 2016, find him on social media below:


Live Review: 2000 Trees Festival 2017

Independent music festival, 2000 Trees, was set in the rolling hills of the Cotswolds between the 6th and 9th July 2017. 

The weekend was an eventful one to say the least. Sun, cider and good music filled both the days and the nights, accompanied by the campsite antics only a festival can offer. Aside from the fantastic bands, the chants of ‘oh Jerermy Corbyn’ could be heard repeatedly as festival goers enjoyed one of the best up and coming festivals around.


Thursday allowed the chance to hear headliners Mallory Knox. The quintet from Cambridgeshire certainly packed the Cave stage, as the audience well as truly embraced the ‘shout at the moon’ attitude. As I arrived late into the evening, I missed most of the other acts, however I did manage to catch a glimpse of Young Guns as they disappeared off stage.

Friday delivered more sunshine, sweat and most importantly, quality music. Deaf Havana have been one of my favourite bands for a while now, and their set-list certainly did not disappoint. Having left the song choices down to a Facebook poll, many older ‘classics’ were performed, particularly from their album ‘Fools and Worthless Liars’. One of the best moments for me, as I am sure it was for a lot of other people, was when frontman James Veck-Gilodi broke into the legendary ‘Cigarettes and Alcohol’ by Oasis, after their song ‘Nicotine and Alcohol’ was incorrectly named on the poll.


The Wonder Years – the band I was most excited to see at 2000 Trees – played next. The crowd was raring to go and instantly pits opened up for the pop-punk tunes. They delivered, in my opinion, a fantastic set-list, with songs spanning across all their albums.

Due to the incredible heat on Friday, I spent much of the day in the acoustic forest sessions. Here, James Veck-Gilodi performed prior to Deaf Havana’s main slot. Frank Carter also played a great acoustic performance, ending on ‘I Hate You’ – undoubtedly my favourite song by the infamous Rattlesnakes.

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Another notable mention from Friday is Ducking Punches who had the privilege of opening the main stage. Despite a heavy Thursday night, a large crowd arrived to support the 5-piece. A special mention goes out to Dan Allen for delivering a particularly moving speech concerning mental health before playing ‘Six Years’.

Photo 07-07-2017, 11 28 07

Saturday delivered yet more sunshine, cider and more unusually, a wedding (that I had been invited to at some point on the Thursday evening)!

Saturday’s array of bands topped off the weekend. Gnarwolves, Lower Than Atlantis and Slaves were my highlights of the day, but others such as Fizzy Blood and Get Inuit certainly added to that final day buzz. Slaves ended the main-stage music in such a manner that involved the whole crowd moshing and moving to every song, previously knowing them or not.


What deserves a special shout out is the seriously good Silent Disco that went on between 11.30pm and 3.00am on Friday and Saturday night, across two stages. The Main Stage delivered a pop soundtrack to dance along to, or so I am informed, as I spent my 7 hours at The Cave. Here the headphones blared out a mixture of metal, pop-punk and rock; anything from Slipknot to Panic! At The Disco, to Limp Bizkit and New Found Glory!

There was no denying that the sauna-like tents or ridiculous sunburn hurt, but honestly, the sun provided a much needed change from the normal damp and dreary weather found at British festivals.

2000 Trees delivered a spectacular variety of talent; both new and old. The friendly staff, safe environment and unrivalled line-up has well as truly convinced me, a first time 2000 Trees attendee, to return in 2018 (I have already got my ticket!).

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2018 tickets can be brought here.


Written by Harriet / @yellowdaffodilx

Track of the week: Lie Low – Fox Chapel

Dark noise quartet Fox Chapel have made their first release of 2017 with brand new track Lie Low.

A mixture of psychedelic hooks and dark lyrics, Lie Low portrays a dystopian, post-punk vibe from the start. The track is a 3 minute slice of mysterious, electric instrumental combined with husky, ethereal vocals which – much like their previous track Ice Cream – hint toward influence from 80s and 90s punk.

Lie Low is an A-class tune and it is clear Fox Chapel have a firmly developed sound which will see them go far; I can’t wait to hear what’s next to come.

Check out the music video which was written and directed by Benn Veasey:

Make your way down to the single launch on July 18th at The Lock Tavern in London.

The lads told us they’ve been demoing loads over the last few months and are hoping to make another release around October.

Keep an eye on their Twitter for updates on new music and gigs:

Feature image courtesy of: Sam Farmer


This week’s track of the week comes from noise-pop Swindon trio YVES with their latest track You Wanna Know.

You Wanna Know is a punchy and dynamic tune. It combines indie-rock with punk-pop giving off similar vibes to the likes of Catfish and the Bottlemen, Circa Waves and Drowners. As a band who have clearly got their sound developed down to a tee, YVES’ material puts me in mind of festivals, romance and lush weather, and You Wanna Know is no exception.

The track racked up over 13,000 plays in just 24 hours, you can give it a listen below.

 YVES are playing three UK dates (18+ entry) this month:

  • July 6th – Sebright Arms, London (Free Entry)
  • July 7th – Green Store Door, Brighton
  • July 8th  The Victoria, Swindon


Find YVES on social media: